A house full of people, but they don’t know of each other’s presence. Mysterious things keep happening to individuals, who believe themselves to be alone. A man is standing concealed behind curtains eerily and the phone keeps ringing, but before anyone picks it up, it is cut. A burglar gets into the house, and the inhabitants face each other and the adversities they never imagined would occur in their lives.

Analysis :

Sometimes the story doesn’t matter. Taking is all that matters. It can be a simple rich boy-poor girl story and the charm lies in how the story is told. Here it is a bit of both. The story and the actual events cannot be revealed-it would count as a spoiler. The narration is also important. The director chooses to stick to his style and has it his way. That’s the good part of the movie. Now the other side. The dubbing for Tulip is too shrill-it could have suited a host of other actors in hundred other character profiles but not Tupil and not in this movie. Venkat is just okay, and the lead pair chemistry is nil-but it doesn’t matter. Ali’s entry has good timing and the way some parts are glossed over is a little amateurish but doesn’t bar the narrative flow.

TeluguOne Perspective :

There are very few characters. Tulip and Venkat have little in terms of dialogue in the first half, and express well enough. The moment they need to speak post-break, the quality of their performance deteriorates. Ali and Ashish Vidyardhi are the pros here. Ashish Vidyardhi’s wife is okay. Lever’s cameo is a good gimmick.Not a bad watch at all. The first half tends to test your patience if you’re used to the fast-paced media and editing we usually see now. Second half has certain loopholes, but only minor ones. It is something new, but nothing of outstandingly quality.