Arijit Singh got lost himself while recording Jai Jai Ram
Arijit Singh reportedly took nearly 200 takes to record Jai Jai Ram, one of the key songs from Nitesh Tiwari’s Ramayana. A source close to the song’s making revealed that the singer became deeply immersed in the devotional mood of the composition and kept experimenting with the performance until he felt he had captured the right emotion. The source said Arijit was “so lost in the feeling” that the recording went far beyond a routine studio session. Instead of simply getting the technical aspects right, the singer reportedly kept trying different takes to bring out the spiritual and emotional depth of the song. Composed by AR Rahman, Jai Jai Ram is sung by Arijit Singh and Shreya Ghoshal, with lyrics by Kumar Vishwas. The song was released during Ganesh Chaturthi and offered the first musical glimpse into Ramayana, featuring Ranbir Kapoor as Lord Rama and Sai Pallavi as Sita. Directed by Nitesh Tiwari and produced by Namit Malhotra, Ramayana is being made as a two-part epic. The first part is scheduled for a worldwide theatrical release on November 6, 2026, with Yash as Ravana and Sunny Deol as Hanuman. The second part is expected to release in 2027. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 17, 2026 7:15PM
Why is a Supreme Court case filed against Sridevi properties?
A property linked to late actress Sridevi has become the centre of a fresh legal battle, nearly four decades after she acquired it in Chennai. The dispute concerns land on the East Coast Road in Sholinganallur, which has become highly valuable over the years and is now being reported to be worth around ₹500 crore. The property was purchased in 1988 and was later developed as a farmhouse used by Sridevi and her family. The roots of the dispute go back to the original ownership of the land. Sridevi purchased the property from M.C. Sambanda Mudaliar through sale deeds executed in April 1988. According to the court record, Mudaliar had earlier divided his property interests among his children through a 1960 family arrangement. The present litigation concerns a 2.70-acre portion, while the sale deeds involving Sridevi, her mother and sister covered a larger extent. The legal challenge has been brought by M.C. Sivakami, M.C. Natarajan and Chandrabhanu, who claim inheritance rights over the disputed land as members of Mudaliar’s family. They have sought to invalidate the 1988 sale deeds and subsequent documents, contending that the property could not have been sold in the manner claimed by Sridevi’s family. Boney Kapoor and his daughters Janhvi Kapoor and Khushi Kapoor have contested the claim. Their side has argued that the original transaction was legally completed in 1988 and questioned why the sale was being challenged decades later. They have also raised questions about the legal-heir claims put forward by the other side. The Madras High Court had earlier dismissed the suit after Boney Kapoor and his daughters challenged the proceedings, with the court holding that the challenge to the old transactions was barred by limitation. The petitioners then approached the Supreme Court, arguing that they were minors when the property transaction took place and that the High Court had gone into issues concerning their legal status and the documents at a preliminary stage. The Supreme Court has now issued notices to Boney Kapoor, Janhvi Kapoor and Khushi Kapoor and ordered status quo on the property. The bench of Justices K.V. Viswanathan and Arun Palli has also suggested mediation between the parties. Until the next hearing, there can be no transfer, construction or change in possession of the disputed property. The matter has been posted for December 18, when the court is expected to consider the progress of the mediation. The Supreme Court has not made any final determination on ownership at this stage. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 17, 2026 1:30PM
The Vvaan Trailer: Promises a lot but..!
Siddharth Malhotra's The Vvaan has unveiled its trailer, offering a glimpse of a film mounted on a grand scale with striking visuals and an ambitious canvas. While the visual presentation creates curiosity, the content feels somewhat familiar, and the trailer doesn't quite build the excitement needed to make audiences immediately look forward to watching the film. The trailer introduces a folklore-inspired fantasy world, blending mythology, romance, action and supernatural mystery. However, the number of elements packed into the cut makes it difficult to get a clear sense of the film's central conflict. A more focused edit, with greater emphasis on the story and its key moments, could have made the trailer more engaging. Despite these shortcomings, The Vvaan feels like a different kind of film from mainstream Bollywood outings, with its setting and visual ambition offering something distinct. Whether that ambition translates into an engaging theatrical experience will depend on how effectively the film delivers on its story. If the content clicks, it could surprise audiences when it arrives in cinemas. Directed by Deepak Mishra, The Vvaan: Force of the Forrest stars Sidharth Malhotra and Tamannaah Bhatia in the lead roles, alongside Sunil Grover, Shweta Tiwari and Anup Soni. Produced by Ektaa R Kapoor, Shobha Kapoor, Niraj Kothari and Arunabh Kumar, the film is scheduled for a theatrical release on September 25, 2026. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 16, 2026 6:09PM
Tapsee Pannu's Gandhari beats Dhurandhar record on Netflix
Taapsee Pannu’s Gandhari has beaten Dhurandhar and Jaane Jaan in their second-week Netflix viewership, recording 9.6 million views and setting a new benchmark for Indian Netflix Original films. The action thriller, which premiered on September 3, opened with 5.9 million views in its first week. Its viewership surged by over 60 per cent in the following week, pushing it to the top of Netflix’s global non-English films chart. The film’s second-week tally is notably higher than the numbers recorded by Dhurandhar and Jaane Jaan. While Dhurandhar registered 8.2 million views in its second week, Jaane Jaan managed 6.4 million. Gandhari has surpassed both with its 9.6 million views. According to the report, citing Netflix Tudum data, Gandhari has also recorded the highest single-week viewership for an Indian Netflix Original film. The second-week surge showcases how people are interested in watching this film. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 16, 2026 4:38PM
Aamir Khan in talks to do a Superhero film?
Aamir Khan could be heading into the superhero space once again, with the actor reportedly in early discussions for a new film with filmmaker R Balki and producer Sajid Nadiadwala. If the project materialises, it would mark the first collaboration between Aamir, Balki and Nadiadwala. The project is said to be at a very early stage, with scripting still underway. Aamir has reportedly shown interest, but he is yet to formally commit. Given the scale of a superhero film, the script, character arc and production design are expected to be worked out before the project moves ahead. Interestingly, this comes at a time when Bollywood’s leading Khans are increasingly exploring the superhero genre. Salman Khan is also reportedly preparing for a superhero project with Raj and DK, making Aamir’s latest discussions particularly interesting. For now, the Balki-Aamir-Nadiadwala combination remains a developing project rather than an officially confirmed film. Aamir is busy prepping for his next big collaboration with Ashutosh Gowarikar and post this, he is in talks with several filmmakers for his next. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 12, 2026 7:21PM
Drishyam The Conclusion promises to be unique from Mohanlal version
Drishyam The Conclusion starring Ajay Devgn, Shriya Saran has been developed in a unique manner from Mohanlal Drishyam original in the third instalment. Jaideep Ahlawat has joined the cast as SP and the movie seems to be developed as cat and mouse game between him and Ajay. Tabu and Rajat Kapoor are back but this time they appoint a new lawyer played by Prakash Raj. Mohanlal version of Drishyam 3 tried to explore how the need to run and hide from the truth made him more dangerous to himself and his family. But Ajay Devgn's version looks to have more action and massy route. Director Abhishek Pathak seems to have developed it completely in his style with more massy dialogue-baazi and characters that look to intimidate each other from being a more psychological thriller. The trailer talks about new evidence and the makers seem to run more of the drama around this evidence. The movie is set to release on 2nd October and the makers have announced that this is the final version from their side. If Drishyam 4 happens as Malayalam makers have hinted at and locked, that movie might have much more wider Pan-India release with this version of story being completed. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 9, 2026 3:24PM
Mirzapur The Movie becomes one of the biggest blockbusters
Mirzapur The Movie has crossed the Rs.150 crore gross mark worldwide, with its India net standing at around Rs.125.35 crore. The film has maintained a strong pace through the opening days and has now established itself as a successful theatrical venture. The film had a solid start on September 4, with the first-day India net estimated at around Rs.25.5 crore. Instead of dropping on Saturday, it moved up to roughly Rs.31 crore before Sunday delivered another major jump, taking the opening weekend to above Rs.90 crore net. Bollywood Hungama places the three-day total at Rs.90.95 crore, making it the fourth-highest opening weekend among Hindi films in 2026. The real strength of the run has been the immediate post-weekend performance. The film added approximately Rs.16 crore on Monday, followed by around Rs.14-15 crore on Tuesday, keeping its weekday numbers well above the levels normally associated with a front-loaded opening. By the end of Day 5, trade estimates had the India net comfortably beyond Rs.125 crore, while the worldwide tally was approaching Rs.177 crore. The North Indian and Bihar markets have reportedly been particularly strong for the film, helping Mirzapur The Movie maintain its momentum beyond the major metropolitan centres. Box Office India has also classified the film as a Hit, pointing to the strong weekend trend and its ability to hold against competition from Hanuman Ansh. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 9, 2026 2:47PM
The 72nd National Film Awards to be held in Gujarat
The National Film Awards are set for a notable change this year, with the 72nd edition moving away from its traditional Delhi setting. The ceremony will take place at Ekta Nagar in Gujarat on September 22, with President Droupadi Murmu presenting the awards to the winners. The change of venue is significant as the National Film Awards have largely been associated with New Delhi since the awards were introduced in 1954. Over the years, the ceremony has become one of the most important occasions on the Indian film calendar, bringing together winners from different languages and film industries. Ekta Nagar, formerly known as Kevadia, is particularly known for the Statue of Unity. Hosting the ceremony at the Gujarat landmark gives this year's event a different backdrop from the conventional government venues in the capital. The winners of the 72nd National Film Awards were announced earlier this year, with several major names from across Indian cinema making it to the honours list. Article 370 was named Best Feature Film, while Yami Gautam won Best Actress for her performance in the film. Mammootty and Kartik Aaryan shared the Best Actor award for Bramayugam and Chandu Champion respectively. South Indian cinema also featured prominently among the winners. Kalki 2898 AD won Best Popular Film Providing Wholesome Entertainment, while Captain Miller received recognition in the category for films promoting national, social or environmental values. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 8, 2026 12:55PM
Parineeti Chopra debut web series Shaque date locked
Parineeti Chopra is set to make her web series debut with Shaque: Trust No One, a Hindi mystery thriller that will premiere on Netflix on September 24. The series revolves around a mother whose nine-year search for her abducted child begins to uncover secrets surrounding the people closest to her. Created by Rensil D’Silva and Siddharth P. Malhotra, Shaque: Trust No One is directed by D’Silva and backed by Alchemy Films. The story explores the uncertainty that develops when trust starts giving way to suspicion, with the investigation gradually bringing hidden relationships and unanswered questions into focus. Parineeti Chopra plays the central character, with Jennifer Winget and Tahir Raj Bhasin among the other prominent names in the cast. Soni Razdan, Anup Soni, Harleen Sethi, Sumeet Vyas and Dhruv Chaudhary also feature in the ensemble. The series marks a new format for Chopra, who has previously appeared in films including Tribhanga and Maharaj. For Rensil D’Silva, the project also marks his Netflix directorial debut. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 7, 2026 3:19PM
Toxic English version returns embarrassing results
The English version of Yash starrer Toxic: A Fairy Tale for Grown-Ups has opened to an extremely poor response in India, with the film selling only around 450 tickets on its first day and collecting approximately Rs. 1.40 lakh. The English version was released on September 4, nearly ten days after the Kannada original and its Hindi, Telugu, Tamil and Malayalam versions arrived in theatres. However, by then, Toxic was already facing a severely negative word of mouth, while competition from Hanuman Ansh and Mirzapur The Movie further limited its theatrical prospects. The English cut was given only 11 shows across four cities — Mumbai, Bengaluru, Gurugram and Noida. Mumbai and Bengaluru recorded the relatively better response, while Gurugram and Noida reportedly sold fewer than 25 tickets each. The poor opening also raises questions over the decision to release a separate English version at this stage. The film's original-language theatrical run has already slowed considerably, with the Hindi version standing at Rs. 130.09 crore after its first week. On September 4, the film's total business across languages was estimated at around Rs. 1.50–1.60 crore. At the current pace, the English version may struggle to even reach Rs. 10 lakh lifetime, making what was expected to be an additional opportunity for Toxic look like a largely ineffective theatrical exercise. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 5, 2026 4:31PM
Rahman A Renaissance: ARR starts writing his biopic
A.R. Rahman is turning the lens on himself. The Oscar-winning composer is set to co-author a new memoir titled Rahman: A Renaissance with writer Rupa Chakravarty, giving readers a closer look at the experiences, influences and ideas behind his extraordinary musical journey. What makes the book interesting is that Rahman is not limiting it to a conventional career retrospective. The memoir is expected to explore his early years, artistic evolution and the thought process behind his music, along with the personal experiences, challenges, faith and internal conflicts that have influenced his work. Rahman himself says his music is connected to the constant evolution of his mind and everything he experiences around him. Rahman’s journey is particularly significant because of how dramatically his career changed the soundscape of Indian cinema. After working with several composers early in his career, he made his full-fledged debut with Mani Ratnam’s Roja in 1992. He went on to become a global name, winning multiple National Film Awards, Grammys, a Golden Globe and two Academy Awards for Slumdog Millionaire. The collaboration with Rupa Chakravarty also suggests that the book will go beyond simply listing milestones. Rahman has described the memoir as an opportunity to revisit the moments and influences that shaped his creative journey, potentially offering a glimpse into the person and thought process behind some of Indian cinema’s most recognisable music. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Sep 1, 2026 7:17PM
Shalini Pandey condemns viral videos as fake
Arjun Reddy actress Shalini Pandey has spoken out after a fake AI-generated video featuring her was circulated online. The actress has categorically clarified that the video is fabricated and condemned the misuse of technology to create such content. Addressing the issue directly, Shalini wrote, “The video is completely fabricated and does not depict me.” She further called out the larger problem behind the incident, saying, “It is deeply disturbing to see technology being misused” to target and harm individuals, “especially women.” The actress also made it clear that she does not believe such incidents should simply be accepted as another consequence of the digital age. “I strongly condemn this kind of abuse,” Shalini stated, stressing that the misuse of AI “should never be normalised.” More importantly, Shalini appealed to people who encounter the fake video online not to help it spread further. She asked users not to “share, forward, download, or engage with it” and instead urged them to “report it immediately.” Her request was aimed at preventing fabricated content from gaining additional reach through social media engagement. The incident comes at a time when AI-generated and manipulated content involving public figures is becoming an increasing concern, particularly for women in the entertainment industry. Shalini’s response focuses not only on denying the authenticity of the video but also on the responsibility of social media users in stopping such material from being spread and glorified. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them. https://www.instagram.com/p/DcsvwcTPkwK
Aug 31, 2026 4:55PM
Are Shankar and AR Murugadoss really coming together?
A rather interesting piece of buzz is emerging from Kollywood, with reports suggesting that Shankar and AR Murugadoss could be heading for an unusual collaboration. There is no official announcement yet, but the talk is strong enough to get the industry curious. According to the latest report, AR Murugadoss is in discussions for a story developed by Shankar’s writing team. The exact stage of the project is unclear, and it is also not known whether Shankar will have a direct creative role beyond the story. The combination itself is what makes the report interesting. Both Shankar and Murugadoss have built their careers around big-scale commercial cinema with strong social and action elements, but they have largely followed their own paths as filmmakers. A Murugadoss film based on a story developed by Shankar’s team could therefore bring together two very different but complementary approaches to mainstream cinema. Interestingly, Shankar recently praised Murugadoss’ Madharaasi, appreciating the director’s handling of its commercial elements and multiple narrative threads. That appreciation has now added another layer to the latest industry speculation. Shankar is currently developing the ambitious Velpari project, while Murugadoss has his own commitments lined up. So, whether this is merely an early story discussion or the beginning of an actual collaboration remains to be seen. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Aug 29, 2026 6:28PM
Did Deepika state that she deserves more than Prabhas?
Deepika Padukone’s exit from Spirit has once again become a talking point after fresh comments from producer Pranay Reddy Vanga, brother of director Sandeep Reddy Vanga. But one important point needs to be clarified: Deepika has never publicly stated that she deserves more remuneration than Prabhas. The current controversy stems from claims about her negotiations, not from any statement comparing her worth with the film’s male lead. According to Pranay Reddy Vanga, negotiations with Deepika continued for around 18 months and eventually ran into problems over remuneration and working hours. He claimed that she sought a 10% share of the film’s post-release net income, in addition to her remuneration. Pranay said the makers were willing to consider demands depending on the economics of the project, but felt that the overall terms did not work within the film’s budget, leading them to explore another actress. This is different from saying that Deepika demanded more money than Prabhas. In fact, her own recent public response has been indirect. Deepika liked an Instagram post questioning why a woman asking for a profit-sharing arrangement becomes news when male actors have routinely negotiated similar deals. That suggests her issue is more about the way female stars are judged for negotiating than about claiming superiority over Prabhas. The earlier controversy around Spirit was largely centred on Deepika’s reported demand for an eight-hour working day. In 2025, she publicly defended that position, pointing out that several male actors had followed eight-hour shifts for years without facing the same backlash. She also argued that asking for such working conditions should not be treated as unreasonable. There is also a completely different account of the episode. A source cited by Hindustan Times claimed Deepika had only met Sandeep once, received no full narration and had no intention of working with him in the first place. That account directly complicates the narrative that the project simply collapsed after a prolonged pay negotiation. Neither side’s version should therefore be treated as an independently established fact. So, no, Deepika did not say that she deserves more than Prabhas. What is actually on record is a dispute over remuneration, profit sharing and working conditions, followed by competing accounts about why the collaboration fell apart. Spirit has since moved ahead with Triptii Dimri opposite Prabhas and is currently scheduled for March 5, 2027. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Aug 28, 2026 6:06PM
Kriti Sanon responds to Kangana's comments
Kriti Sanon has responded to the social media criticism surrounding her latest Raksha Bandhan advertisement for jewellery brand GIVA. The campaign, released ahead of the festival, features Kriti in an ivory lehenga with a deep-neck blouse and cape, while another portion of the advertisement shows her tying a rakhi to a pet dog. The styling and the treatment of the festival have drawn mixed reactions online. The controversy gained further attention after Kangana Ranaut questioned Kriti’s outfit, asking why someone would tie a rakhi to their brother while wearing what she described as “bikini/under garments.” Kangana also called the advertisement “intentionally creepy” in her social media post. Kriti has now addressed the criticism through an Instagram post. She wrote that “the essence of festivals is not in the clothes you wear, it is in the emotions and meaning you hold for the traditions.” She explained that Raksha Bandhan represents a bond of protection and said that she and her sister tie rakhis to each other because they believe they can protect one another just as much as a brother can. She added that the same prayer and promise extends to their dogs because, for them, they are family. Addressing the discussion around her appearance more directly, Kriti asked, “When will we stop telling women what to wear?” She further stated that “Culture and Traditions are in her heart, not in her neckline.” The advertisement and Kriti’s response have now become a talking point online, with the discussion extending beyond the campaign itself to questions around fashion, cultural representation and the way festivals are portrayed in advertising. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Aug 25, 2026 6:29PM
Haiwaan Trailer: Akshay Kumar tries too hard
Akshay Kumar and Saif Ali Khan are back together after 17 years, but Haiwaan is certainly not the kind of reunion one would have expected from the duo. Directed by Priyadarshan, the film is a dark thriller and the trailer released today gives a glimpse into a tense cat-and-mouse game between Akshay’s ruthless character and Saif’s visually impaired protagonist. The biggest surprise of Oppam was always Mohanlal’s portrayal of a blind man. His character’s vulnerability, intelligence and the way he navigated the world without sight gave the Malayalam original a unique identity. In Haiwaan, Saif takes over that role, but the trailer appears to shift the centre of gravity towards Akshay Kumar, whose character is presented as an outright psychopath. Priyadarshan himself has described Akshay’s character as a “psycho” rather than a grey-shaded villain. Akshay certainly looks menacing, but his performance in the trailer seems deliberately loud in its attempt to establish the villainy. Compared to the subtle tension that made Oppam work, Haiwaan appears to be going for a more overtly dark and commercial treatment. That raises the biggest question around the film. Priyadarshan is remaking his own acclaimed Malayalam thriller for a Hindi audience, but can he take the material beyond a straightforward remake and give it a fresh identity? The darker atmosphere and expanded action elements are promising, but the trailer does not completely live up to the expectations created by the original. The Akshay-Saif combination remains the film’s biggest attraction, especially with their reunion after Tashan. Haiwaan is scheduled to release in cinemas on September 11, and the real test will be whether Priyadarshan has found enough new material and scale to make this version work on its own terms. Disclaimer: The news article is written based on information shared by various sources. The organisation is not responsible for the factual nature of them. While we do try to do thorough research at times people could misguide. So, we would encourage viewers' discretion before reacting to them.
Aug 25, 2026 2:56PM
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